


The Evil One
Produced over a period of two years by Stu Cook (Creedence Clearwater Revival), The Evil One was released in 1981 and is a masterful collection of songs about zombies, demons, vampires and, yes, even the âCreature With The Atom Brainâ. These tracks, inspired by schlock sci-fi and horror movies and colored by Rokyâs distinctive, high-pitched vocal and squealing guitar, are among the maverick performerâs best.
[[Release Description]]Celebrating a creative purple patch by a singular performer, Light In The Attic is to reissue the three albums issued by Roky Erickson in the 1980s: The Evil One (LITA 097), Donât Slander Me (LITA 098) and Gremlins Have Pictures (LITA 099). Together, theyâre a chance to pick up a missing jigsaw piece in the history of American rock ânâ roll in deluxe packages.
As the core member of the 13th Floor Elevators and an undisputed pioneer of psychedelic rock, the â60s were thrilling times for Erickson. His band riding high in their native Texas and beyond, the howling single âYouâre Gonna Miss Meâ was his calling card, but Ericksonâs â60s ended in the stuff of nightmares. Under sharp scrutiny by the authorities due to the bandâs well-expounded fondness for psychedelic drugs, Erickson was found with a single joint on his person. Pleading not guilty by reason of insanity to avoid prison, he was sent to the Rusk State Hospital for the criminally insane, where he was âtreatedâ with electroconvulsive therapy and Thorazine treatment. Erickson pulled through his three and a half years at Rusk, and even put together a band while incarcerated. The Missing Links contained Roky plus two murderers and a rapist.
Released from the institution in 1974, Roky found his legend had grown while heâd been away â not least because âYouâre Gonna Miss Meâ was included on 1972âs Nuggets compilation. He formed a band, the Aliens, and set about honing a hard rock sound that placed the psychedelic garage blues of the Elevators firmly in the last decade. Though it was produced at a time when Roky was struggling to cope with drugs and life on the outside, he hit form on his first post Elevators album-proper, 1981âs The Evil One. Produced over a period of two years by Stu Cook, from Creedence Clearwater Revival, itâs a masterful collection of songs about zombies, demons, vampires and, yes, even the âCreature With The Atom Brainâ. These tracks, inspired by schlock sci-fi and horror movies and colored by Rokyâs distinctive, high-pitched vocal and squealing guitar, are among the maverick performerâs best.
At the time, Roky explained the album this way: âItâs gonna go back to the ferocious kind of rock ânâ roll of the Kinks, the Who and the Yardbirds. Itâs the kind of music that makes you wish you were playing it or listening to it for the first time âway back when.ââ But the record would not reach the mass audience of those bands, its success hampered by erratic release schedules and disastrously awkward press interviews. A year after its release, Erickson would become convinced that a Martian had inhabited his body. He would soon become obsessed with mail, and take to taping it, unopened, to his bedroom walls. Many of Ericksonâs demons were yet to show their faces. But the B-movie demons he exorcised on this record gave us one of hard rockâs strangest, most inventive albums.
[[Selling Points]]- 2xLP housed in gatefold jackets with 20pg book-deep liner notes by Joe Nick Patoski
- Originally released in the UK as the 10 song album Five Symbols in 1980 and as The Evil One in 1981 (with 5 songs replaced), this definitive CD gathers all 15 songs from the Stu Cook (Creedence Clearwater Revival) late 1977-79 produced sessions
- Rare / unseen archive photos and ephemera
- Available on black or purple haze colored vinyl
Original: $1.29
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Description
Produced over a period of two years by Stu Cook (Creedence Clearwater Revival), The Evil One was released in 1981 and is a masterful collection of songs about zombies, demons, vampires and, yes, even the âCreature With The Atom Brainâ. These tracks, inspired by schlock sci-fi and horror movies and colored by Rokyâs distinctive, high-pitched vocal and squealing guitar, are among the maverick performerâs best.
[[Release Description]]Celebrating a creative purple patch by a singular performer, Light In The Attic is to reissue the three albums issued by Roky Erickson in the 1980s: The Evil One (LITA 097), Donât Slander Me (LITA 098) and Gremlins Have Pictures (LITA 099). Together, theyâre a chance to pick up a missing jigsaw piece in the history of American rock ânâ roll in deluxe packages.
As the core member of the 13th Floor Elevators and an undisputed pioneer of psychedelic rock, the â60s were thrilling times for Erickson. His band riding high in their native Texas and beyond, the howling single âYouâre Gonna Miss Meâ was his calling card, but Ericksonâs â60s ended in the stuff of nightmares. Under sharp scrutiny by the authorities due to the bandâs well-expounded fondness for psychedelic drugs, Erickson was found with a single joint on his person. Pleading not guilty by reason of insanity to avoid prison, he was sent to the Rusk State Hospital for the criminally insane, where he was âtreatedâ with electroconvulsive therapy and Thorazine treatment. Erickson pulled through his three and a half years at Rusk, and even put together a band while incarcerated. The Missing Links contained Roky plus two murderers and a rapist.
Released from the institution in 1974, Roky found his legend had grown while heâd been away â not least because âYouâre Gonna Miss Meâ was included on 1972âs Nuggets compilation. He formed a band, the Aliens, and set about honing a hard rock sound that placed the psychedelic garage blues of the Elevators firmly in the last decade. Though it was produced at a time when Roky was struggling to cope with drugs and life on the outside, he hit form on his first post Elevators album-proper, 1981âs The Evil One. Produced over a period of two years by Stu Cook, from Creedence Clearwater Revival, itâs a masterful collection of songs about zombies, demons, vampires and, yes, even the âCreature With The Atom Brainâ. These tracks, inspired by schlock sci-fi and horror movies and colored by Rokyâs distinctive, high-pitched vocal and squealing guitar, are among the maverick performerâs best.
At the time, Roky explained the album this way: âItâs gonna go back to the ferocious kind of rock ânâ roll of the Kinks, the Who and the Yardbirds. Itâs the kind of music that makes you wish you were playing it or listening to it for the first time âway back when.ââ But the record would not reach the mass audience of those bands, its success hampered by erratic release schedules and disastrously awkward press interviews. A year after its release, Erickson would become convinced that a Martian had inhabited his body. He would soon become obsessed with mail, and take to taping it, unopened, to his bedroom walls. Many of Ericksonâs demons were yet to show their faces. But the B-movie demons he exorcised on this record gave us one of hard rockâs strangest, most inventive albums.
[[Selling Points]]- 2xLP housed in gatefold jackets with 20pg book-deep liner notes by Joe Nick Patoski
- Originally released in the UK as the 10 song album Five Symbols in 1980 and as The Evil One in 1981 (with 5 songs replaced), this definitive CD gathers all 15 songs from the Stu Cook (Creedence Clearwater Revival) late 1977-79 produced sessions
- Rare / unseen archive photos and ephemera
- Available on black or purple haze colored vinyl

















