
13 (Lee Hazlewood)
13 was never supposed to be a Lee Hazlewood album. It is perhaps the strangest record in one of the most varied discographies in music. The bombastic brass heavy funk, deep blues and soul paired with Hazlewoodâs subterranean baritone would be best enjoyed with a tall Chivas in an off-strip seedy Vegas lounge. It also features one of Hazlewoodâs greatest lines ever âOne week in San Francisco, existing on Nabisco, cookies and bad dreams, sad scenes and dodging paranoia.â
[[Release Description]]Available: January 13th, 2017
âPimps⊠whores⊠pushers⊠dopers⊠gangsters⊠and bottom of the human chain shit-heels. Now youâre probably thinking Iâm writing about major record companies and their unscrupulous executives⊠and lawyers. You could be right⊠but this time⊠YOUâRE WRONG! Iâm describing the characters in my album â13â âŠSome I knew⊠some I invented ⊠some are true⊠some are false⊠some I liked⊠some I didnât. But they all had a story to tell and I told itâŠnone of âem seem to care⊠and I donât either⊠have funâŠ"
- Lee Hazlewood
âHe took my voice off the album and put his voice on the album. Now donât forget these were in my keys, it was my charts, it was my everything. Lee Hazlewood was not even remotely going to be considered as an artist for this album and thatâs the way he wanted it.â
- Larry Marks
13 was never supposed to be a Lee Hazlewood album. It is perhaps the strangest record in one of the most varied discographies in music. The bombastic brass-heavy funk, deep blues and soul paired with Hazlewoodâs subterranean baritone would be best enjoyed with a tall Chivas in an off-strip seedy Vegas lounge. It also features one of Hazlewoodâs greatest lines ever âOne week in San Francisco, existing on Nabisco, cookies and bad dreams, sad scenes and dodging paranoia.â
By 1972 Lee Hazlewood had settled in his new homeland of Sweden. His days were spent carousing, making movies with Torbjörn Axelman and releasing albums. To keep up his prolific recorded output, Lee began to mine the recently defunct LHI Records archives for material. One such gem, was an unreleased album by Larry Marks.
In what became the final days of LHI, staff producer Larry Marksâ sonic fingerprints were on nearly everything; songwriting, producing, arranging, and singing. His most profound contribution was steering the creative direction of the label towards soul and R&B, arranging the downright funky LHI singles by Barbara Randolph and Jon Christian. Larryâs concept was to take Hazlewoodâs strongest compositions and arrange them in a soul vibe. An album was completed, but with no distribution in America and no funding, Lee had no vehicle to release Larryâs record. The tapes were taken to Sweden, Larryâs voice was wiped and Hazlewoodâs was dubbedâŠ.13 was born.
[[Selling Points]]-
PRE-ORDER EDITION:
âGolden Memoriesâ gold wax limited to 300 copies. Limit two per customer. - Lee Hazlewood comic strip, the story of 13 told through original artwork by Jess Rotter
- Includes previously unreleased session outtake of âCold Hard Timesâ plus never before heard Hazlewood compositions âDrumsâ & âSusieâ
- Download card for complete 13 sessions including Larry Marks unreleased album, session outtakes and acoustic demos, 30 tracks total
- Liner notes by Hunter Lea including interviews with Larry Marks, Joe Cannon, Torbjörn Axelman & Suzi Jane Hokom
- LP housed in a deluxe gatefold Stoughton tip-on jacket
Original: $1.29
-70%$1.29
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Description
13 was never supposed to be a Lee Hazlewood album. It is perhaps the strangest record in one of the most varied discographies in music. The bombastic brass heavy funk, deep blues and soul paired with Hazlewoodâs subterranean baritone would be best enjoyed with a tall Chivas in an off-strip seedy Vegas lounge. It also features one of Hazlewoodâs greatest lines ever âOne week in San Francisco, existing on Nabisco, cookies and bad dreams, sad scenes and dodging paranoia.â
[[Release Description]]Available: January 13th, 2017
âPimps⊠whores⊠pushers⊠dopers⊠gangsters⊠and bottom of the human chain shit-heels. Now youâre probably thinking Iâm writing about major record companies and their unscrupulous executives⊠and lawyers. You could be right⊠but this time⊠YOUâRE WRONG! Iâm describing the characters in my album â13â âŠSome I knew⊠some I invented ⊠some are true⊠some are false⊠some I liked⊠some I didnât. But they all had a story to tell and I told itâŠnone of âem seem to care⊠and I donât either⊠have funâŠ"
- Lee Hazlewood
âHe took my voice off the album and put his voice on the album. Now donât forget these were in my keys, it was my charts, it was my everything. Lee Hazlewood was not even remotely going to be considered as an artist for this album and thatâs the way he wanted it.â
- Larry Marks
13 was never supposed to be a Lee Hazlewood album. It is perhaps the strangest record in one of the most varied discographies in music. The bombastic brass-heavy funk, deep blues and soul paired with Hazlewoodâs subterranean baritone would be best enjoyed with a tall Chivas in an off-strip seedy Vegas lounge. It also features one of Hazlewoodâs greatest lines ever âOne week in San Francisco, existing on Nabisco, cookies and bad dreams, sad scenes and dodging paranoia.â
By 1972 Lee Hazlewood had settled in his new homeland of Sweden. His days were spent carousing, making movies with Torbjörn Axelman and releasing albums. To keep up his prolific recorded output, Lee began to mine the recently defunct LHI Records archives for material. One such gem, was an unreleased album by Larry Marks.
In what became the final days of LHI, staff producer Larry Marksâ sonic fingerprints were on nearly everything; songwriting, producing, arranging, and singing. His most profound contribution was steering the creative direction of the label towards soul and R&B, arranging the downright funky LHI singles by Barbara Randolph and Jon Christian. Larryâs concept was to take Hazlewoodâs strongest compositions and arrange them in a soul vibe. An album was completed, but with no distribution in America and no funding, Lee had no vehicle to release Larryâs record. The tapes were taken to Sweden, Larryâs voice was wiped and Hazlewoodâs was dubbedâŠ.13 was born.
[[Selling Points]]-
PRE-ORDER EDITION:
âGolden Memoriesâ gold wax limited to 300 copies. Limit two per customer. - Lee Hazlewood comic strip, the story of 13 told through original artwork by Jess Rotter
- Includes previously unreleased session outtake of âCold Hard Timesâ plus never before heard Hazlewood compositions âDrumsâ & âSusieâ
- Download card for complete 13 sessions including Larry Marks unreleased album, session outtakes and acoustic demos, 30 tracks total
- Liner notes by Hunter Lea including interviews with Larry Marks, Joe Cannon, Torbjörn Axelman & Suzi Jane Hokom
- LP housed in a deluxe gatefold Stoughton tip-on jacket
















