

Lee Hazlewood - The LHI Years: Singles, Nudes, & Backsides (1968-71)
As a true legend of the great American songbook and a rebellious pioneer who left behind a lengthy trail of echo laden pop masterpieces, Lee Hazlewoodās influence continues to reverberate today. Between 1968-71, Hazlewood not only released his finest solo work, but produced numerous artists on LHI. From acid-folk and country-rock to pop-psych and soul, LHI issued dozens of long forgotten 45s and LPs. This series will include material from LHI (re-mastered for the first time from the original analog tapes), along with Leeās output for other labels, rarities, and unreleased gems.
[[Release Description]]Lee Hazlewood ā The LHI Years: Singles, Nudes, And Backsides | 2xLP | Whatās Inside? from Light In The Attic Records on Vimeo.
With his handlebar moustache and booming baritone, Lee Hazlewood was one of the defining stars of the late ā60s. Though heās perhaps best known for his work with Nancy Sinatra (including writing mega-hit āThese Boots Are Made For Walkingā), Hazlewood did stunning work away from that particular glamour queen and found latter day champions in Beck, Sonic Youth, and Jarvis Cocker. Now, for Record Store Day 2012, we are kicking off our excavation of the Lee Hazlewood archives with this anthology, Singles, Nudes & Backsides, collecting the best of Leeās solo songs and duets from his LHI (Lee Hazlewood Industries) imprint.
As a true legend of the great American songbook and a rebellious pioneer who left behind a lengthy trail of echo laden pop masterpieces, Leeās influence continues to reverberate today. Between 1968-71, Hazlewood not only released his finest solo work, but produced numerous artists on LHI. From acid-folk and country-rock to pop-psych and soul, LHI issued dozens of long forgotten 45s and LPs. This series will include material from LHI (re-mastered for the first time from the original analog tapes), along with Leeās output for other labels, rarities, and unreleased gems.
See the sleeve: surrounded by nude girls, each wearing a fake moustache, Hazlewood wears a suit, ever-so-slightly awkwardly playing the role of the ā60s playboy. Just like the picture, the songs present a man conflicted; heās the tender-hearted romantic, the broken-hearted loser and the rugged cowboy, all in one. Itās there in the western swing of āCalifia (Stone Rider)ā, the loneliness of āThe Bedā and the bleak beauty of āIf Itās Monday Morning.ā Hazlewoodās tremulous voice was made for duets (indeed, he wrote āSome Velvet Morningā, one of the greatest of all time); here, Suzi Jane Hokom, Ann-Margret and Nina Lizell play counterpart to his manly tones.
In the wonderful liner notes, written by British journalist Wyndham Wallace, the writer describes his friend Hazlewood as āa curmudgeonly, unpredictable sort at the best of times, as impatient with his own talent as he is with other people.ā The Hazlewood Wallace knew was puzzled by the growing interest in him in the last two decades of his life, which was ended by cancer at age 78. That late flurry of interest saw him perform at the Royal Festival Hall in 1999, his first ever solo performance in the UK.
A natural wanderer, Lee lived a big life, fighting in the Korean War, working as a radio DJ in Phoenix, Arizona, setting up Viv Records in the ā50s, working as a big-shot LA producer in the ā60s, signing Phil Spector to his Trey Records label and prematurely announcing retirement in the wake of the mid-ā60s British invasion. He didnāt: Nancy Sinatra came along, the hits started flowing and he continued producing characterful solo albums into the ā70s, which saw his move to Sweden. By 2007, Hazlewood was living in Vegas, and begrudgingly enjoying that flurry of latter-day interest in his work. This landmark compilation promises to create many more converts.
[[Selling Points]]- Cuts from essential albums like Cowboy In Sweden
- Features duets with Suzi Jane Hokom, Ann-Margret and Nina Lizell
- Audio re-mastered from original tapes
- Unreleased song āI Just Learned To Runā
- In-depth liner notes & unseen photographs
Original: $26.00
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Description
As a true legend of the great American songbook and a rebellious pioneer who left behind a lengthy trail of echo laden pop masterpieces, Lee Hazlewoodās influence continues to reverberate today. Between 1968-71, Hazlewood not only released his finest solo work, but produced numerous artists on LHI. From acid-folk and country-rock to pop-psych and soul, LHI issued dozens of long forgotten 45s and LPs. This series will include material from LHI (re-mastered for the first time from the original analog tapes), along with Leeās output for other labels, rarities, and unreleased gems.
[[Release Description]]Lee Hazlewood ā The LHI Years: Singles, Nudes, And Backsides | 2xLP | Whatās Inside? from Light In The Attic Records on Vimeo.
With his handlebar moustache and booming baritone, Lee Hazlewood was one of the defining stars of the late ā60s. Though heās perhaps best known for his work with Nancy Sinatra (including writing mega-hit āThese Boots Are Made For Walkingā), Hazlewood did stunning work away from that particular glamour queen and found latter day champions in Beck, Sonic Youth, and Jarvis Cocker. Now, for Record Store Day 2012, we are kicking off our excavation of the Lee Hazlewood archives with this anthology, Singles, Nudes & Backsides, collecting the best of Leeās solo songs and duets from his LHI (Lee Hazlewood Industries) imprint.
As a true legend of the great American songbook and a rebellious pioneer who left behind a lengthy trail of echo laden pop masterpieces, Leeās influence continues to reverberate today. Between 1968-71, Hazlewood not only released his finest solo work, but produced numerous artists on LHI. From acid-folk and country-rock to pop-psych and soul, LHI issued dozens of long forgotten 45s and LPs. This series will include material from LHI (re-mastered for the first time from the original analog tapes), along with Leeās output for other labels, rarities, and unreleased gems.
See the sleeve: surrounded by nude girls, each wearing a fake moustache, Hazlewood wears a suit, ever-so-slightly awkwardly playing the role of the ā60s playboy. Just like the picture, the songs present a man conflicted; heās the tender-hearted romantic, the broken-hearted loser and the rugged cowboy, all in one. Itās there in the western swing of āCalifia (Stone Rider)ā, the loneliness of āThe Bedā and the bleak beauty of āIf Itās Monday Morning.ā Hazlewoodās tremulous voice was made for duets (indeed, he wrote āSome Velvet Morningā, one of the greatest of all time); here, Suzi Jane Hokom, Ann-Margret and Nina Lizell play counterpart to his manly tones.
In the wonderful liner notes, written by British journalist Wyndham Wallace, the writer describes his friend Hazlewood as āa curmudgeonly, unpredictable sort at the best of times, as impatient with his own talent as he is with other people.ā The Hazlewood Wallace knew was puzzled by the growing interest in him in the last two decades of his life, which was ended by cancer at age 78. That late flurry of interest saw him perform at the Royal Festival Hall in 1999, his first ever solo performance in the UK.
A natural wanderer, Lee lived a big life, fighting in the Korean War, working as a radio DJ in Phoenix, Arizona, setting up Viv Records in the ā50s, working as a big-shot LA producer in the ā60s, signing Phil Spector to his Trey Records label and prematurely announcing retirement in the wake of the mid-ā60s British invasion. He didnāt: Nancy Sinatra came along, the hits started flowing and he continued producing characterful solo albums into the ā70s, which saw his move to Sweden. By 2007, Hazlewood was living in Vegas, and begrudgingly enjoying that flurry of latter-day interest in his work. This landmark compilation promises to create many more converts.
[[Selling Points]]- Cuts from essential albums like Cowboy In Sweden
- Features duets with Suzi Jane Hokom, Ann-Margret and Nina Lizell
- Audio re-mastered from original tapes
- Unreleased song āI Just Learned To Runā
- In-depth liner notes & unseen photographs

















