I'm The One
āIām the one, you donāt have to look any further. Iām the one. Iām here, right here for you,ā oozes jazz, rock, and electronic music pioneer Annette Peacock on the leadoff title track of her solo debut LP. The albumās wide range of vocal emotions and diverse sonic palette (featuring Robert Moogās early modular synthesizers, which the singer actually transmitted her voice through to wild effect) places it firmly at the forefront of the pop avant-garde. Originally released by RCA Victor in 1972 to widespread critical acclaim, Iām The One found itself amongst good company. Both Lou Reed and David Bowie had recently signed to the labelāBowie in particular was enamored with Annetteāand artists ranging from ex-husband and jazz great Paul Bley, along with notable Brazilian percussionists Airto Moreira and Dom Um Romao, guested on the album itself. Iām The Oneās nine passionate tracksāall originals barring one very unique cover of Elvis Presleyās āLove Me Tenderāāgroove easily from free jazz freak-outs and rough and rugged blues-funk to gently pulsing synthesized bliss.
The second release on our Future Days Recordings imprint, Iām The One is returning to better record shops on CD and LP formats, re-mastered from the original tapes with an insert containing previously unseen photos from the vaults of Sony Music and extensive liner notes from NYC-based writer and musician, Mikey āIQā Jones. An extension of Annetteās late 1960s work with her Bley-Peacock Synthesizer Show combo, Iām The One is filled with strength and power as well as a tender, sensual, and seductive side, born of a life surrounded by music and culture. Composing by age four, Peacockās mother was a professional violinist. By the early 1960s, Annette had also collaborated with first husband, jazz bassist Gary Peacock and toured with legendary saxophone player Albert Ayler. Studying under Zen macrobiotics educator Michio Kushi and a confidant to Timothy Leary at the Millbrook psychedelic center, Peacock would go on to work with rock stalwarts like guitarists Mick Ronson and Chris Spedding, Yes/King Crimson drummer Bill Bruford, and surrealist artist Salvador Dali.
Light years ahead of its early-1970s contemporaries in terms of individuality and uncompromising vision, the album makes todayās major label computer generated fabrications pale in comparison. To this day, Annette remains an enigma caught between the peace and love vibrations of a hippy counterculture and the more worldly intelligence of the modern age. Her records continue to influence and inspire, and with Iām The One finally back on the shelves, countless new jacks on the scene can scope its liner notes and bear witness to its brilliance.
- Remastered from original tapes
- Liner notes by Mikey āIQā Jones
- Never-before-seen archive photos
Original: $14.00
-70%$14.00
$4.20Product Information
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Description
āIām the one, you donāt have to look any further. Iām the one. Iām here, right here for you,ā oozes jazz, rock, and electronic music pioneer Annette Peacock on the leadoff title track of her solo debut LP. The albumās wide range of vocal emotions and diverse sonic palette (featuring Robert Moogās early modular synthesizers, which the singer actually transmitted her voice through to wild effect) places it firmly at the forefront of the pop avant-garde. Originally released by RCA Victor in 1972 to widespread critical acclaim, Iām The One found itself amongst good company. Both Lou Reed and David Bowie had recently signed to the labelāBowie in particular was enamored with Annetteāand artists ranging from ex-husband and jazz great Paul Bley, along with notable Brazilian percussionists Airto Moreira and Dom Um Romao, guested on the album itself. Iām The Oneās nine passionate tracksāall originals barring one very unique cover of Elvis Presleyās āLove Me Tenderāāgroove easily from free jazz freak-outs and rough and rugged blues-funk to gently pulsing synthesized bliss.
The second release on our Future Days Recordings imprint, Iām The One is returning to better record shops on CD and LP formats, re-mastered from the original tapes with an insert containing previously unseen photos from the vaults of Sony Music and extensive liner notes from NYC-based writer and musician, Mikey āIQā Jones. An extension of Annetteās late 1960s work with her Bley-Peacock Synthesizer Show combo, Iām The One is filled with strength and power as well as a tender, sensual, and seductive side, born of a life surrounded by music and culture. Composing by age four, Peacockās mother was a professional violinist. By the early 1960s, Annette had also collaborated with first husband, jazz bassist Gary Peacock and toured with legendary saxophone player Albert Ayler. Studying under Zen macrobiotics educator Michio Kushi and a confidant to Timothy Leary at the Millbrook psychedelic center, Peacock would go on to work with rock stalwarts like guitarists Mick Ronson and Chris Spedding, Yes/King Crimson drummer Bill Bruford, and surrealist artist Salvador Dali.
Light years ahead of its early-1970s contemporaries in terms of individuality and uncompromising vision, the album makes todayās major label computer generated fabrications pale in comparison. To this day, Annette remains an enigma caught between the peace and love vibrations of a hippy counterculture and the more worldly intelligence of the modern age. Her records continue to influence and inspire, and with Iām The One finally back on the shelves, countless new jacks on the scene can scope its liner notes and bear witness to its brilliance.
- Remastered from original tapes
- Liner notes by Mikey āIQā Jones
- Never-before-seen archive photos